Directing - Theatre & Film
"An assured fast-rising director" - Independent
Titas is a writer, director, and musician working across theatre, film, and music. He trained as Resident Assistant Director at the Donmar Warehouse, on the National Theatre Studio Directors Course and under directors Michael Grandage, Roger Michell, David Leveaux, Indhu Rubasingham and Jamie Lloyd. He has worked extensively in new writing, and was previously Associate Director at the Tricycle/Kiln, Artistic Associate at The Other Room, a Creative Associate at the Bush Theatre, and Literary Associate at the Finborough Theatre. He is currently an Associate Artist at Out of Joint. Represented by Nick Frankfort at Michael Grandage Company.
Selected credits include: Sinners Club by Lucy Rivers (Soho Theatre, Theatr Clwyd, The Other Room), St. Nicholas by Conor McPherson (The Other Room, Theatr Clwyd), Silence by Harold Pinter (The Other Room), A Boy and His Soul by Colman Domingo (Tricycle/Kiln), The Dance of Death by Conor McPherson/August Strindberg (Donmar at Trafalgar Studios), The Goat At Midnight by Anne Carson (66 Books - Bush Theatre), Painting a Wall by David Lan (Finborough Theatre).
"This beautiful, funny, and tender show"
***** - The Telegraph
Colman Domingo in A Boy and His Soul
Photo: Mark Douet
Set Design: Richard Kent | Lighting: Oliver Fenwick
"A profoundly seminal work"
**** - The Guardian
Indira Varma and Daniel Lapaine in The Dance of Death
Photo: Simon Kane
Set Design: Richard Kent | Lighting: Richard Howell
"The audience is riveted"
**** The Reviews Hub
Christian Patterson in St Nicholas
Photo: Aenne Pallasca
Set Design: Amy Cook | Lighting: Katy Morison
"A glittering dark gem"
**** - The Guardian
Lucy Rivers in Sinners Club
Photo: Kieran Cudlip
Set Design: Mark Bailey | Lighting: Katy Morison
"A production positively spilling over with soul"
**** - Afridiziak
"Wonderful and fun"
***** - Everything Theatre
"A wild waltz through the gates of hell"
**** - The Times
"Shockingly Funny"
**** - Sunday Times
"Outstanding drama does not require an extensive cast"
***** - Buzz Magazine
"Shut me the hell up by going to this"
**** - Western Mail
"Proper old pulp fiction"
**** - Whatsonstage
"An expertly judged, passionate piece of gig-theatre"
**** - London Boxoffice